In our special 50th Proms Concert on August 27th at the Frankston Arts Centre our special guest performer is Leigh Harrold.
The Committee is preparing a historical book commemorating our 50 year history.
The Committee is sourcing 50th year mementos that are affordable for our members and the public to purchase.
The Committee has organised a special wine offer of locally sourced red and white wine to celebrate our 50th year. Our bottles will have commemorative labels and you can download the order form here.
FMS Wine Order Form
FMS 50th Year Concert Series
The Peter and the Wolf concerts have been received well by local schools. We opened the concert with Graingers Childrens March which enlivened the audience with a marching activity and helped them to settle into our premier piece composed by Sue McGrath (sue plays in the second violin section). Sue specifically wrote Metamorphosis to celebrate 10 years of playing with the FSO and we premiered the suite at the childrens concert this year. Here is the abstract from the piece.
Metamorphosis tells the story of a little Grub which grows into a caterpillar and then changes into a Butterfly.
The Grub spends all day munching and munching as many leaves as it can find. You can hear the grub munching away as he takes bigger and bigger bites and eating faster and faster as he grows into a big caterpillar.
The next part of the story is about the caterpillar living in a Chrysalis. The caterpillar makes a sticky button of silken thread, hangs upside down and makes a little house for itself called a Chrysalis. The caterpillar stays nice and warm and gradually changes into a Butterfly. Nobody can see this change happening, but through the music we can imagine the wonderful change that is going on within the chrysalis.
Finally the butterfly emerges from the Chrysalis and waits for its wings to dry out before it can fly. The music describes how the Butterfly flies over meadows, lands on flowers, feeds on nectar and keeps dancing until it finds a place to lay eggs. Each egg becomes a little Grub and then the whole story begins again.
Peter and the Wolf
This year our childrens concert was held at Bayside Christian College in Langwarren. With many local primary and special schools attending and also an active group of seniors from Monash Health. It was quite an event for us showcasing the orchestra and the narrator Talaylin and was well received by the audience and the staff present from the schools. Many of the students were very interested in the instruments we were using and the use of hats to represent the characters in Peter and the Wolf. You could see them standing up and pointing out the animals when their solo parts were played and launching from their seats when the timpani thundered out the hunters theme. The sound in the hall was bright and at times loud which helped to keep the audience alert and following the story line. Our conductor Thaddeus was under the weather but soldiered on and did an outstanding job on the day ensuring we were all in time and following the score to support our narrator. Thanks to everyone involved in presenting this concert and to our fabulous narrator Talaylin Zeppa. Thanks to Brendan who teaches Maths at the college for organising the event and Harry and Kevin for setting up the risers on the Sunday morning before the show. Special thanks to our fantantantastic percussion section and to everyone involved in this concert.
When Carl Orff penned those first notes of ‘O Fortuna’, a hymn to the wildly capricious Roman goddess of fortune, he had no idea it would become one of the most recognised pieces of music of the 20th century.
While Carmina Burana remains the only major work in his catalog, it has gone on to become a favourite of choirs and orchestras and film directors. Oliver Stone used it to great effect in the biographical film of ‘The Doors’ to portray the torment of the lead singer Jim Morrison. John Boorman also used it in the film ‘Excalibur’, a British epic fantasy war drama film that retells the legend of King Arthur and the knights of the round table.
|The work draws its inspiration from 11th, 12th and 13th century Latin texts poeticising clerical satire to vagabond songs.||
The compositional structure is based on the idea of the turning Fortuna Wheel. The drawing of the wheel, the Burana Codex includes four phrases around the outside of the wheel: “Regnabo, Regno, Regnavi, Sum sine regno”. (I shall reign, I reign, I have reigned, I am without a realm).
Within each scene, and sometimes within a single movement, the wheel of fortune turns, joy turning to bitterness, and hope turning to grief. O Fortuna, the first poem completes this circle, forming a compositional frame for the work through being both the opening and closing movements.
This phantasmal and monolithic work is a delight to behold with months in the planning our FMS 50th Anniversary Oratorio Concert was an amazing event.
With the close involvement of the FSO, MPC and the Australian Youth Choir with solists Emily Burke, soprano, Robert Barbero, tenor and Raphael Wong, barritone, Talaylan Zeppa MC and Thaddues Wang, conductor. It was a spectacular show with a large chorale, orchestra and percussion section filling the theatre with a huge sound. The Frankston Arts Centre was full and the atmosphere was buzzing from the opening bars of the 1st movement to the closing bars. It was fantastic to hear to the wonderful music we made together and credit must go to all involved.
FMS featured artists
Robert Barbaro tenor, Raphael Wong baritone and Emily Burke soprano. Also the Australian Youth Choir.
Reviews on the Carmina Burana Concert
We went to Carmina Burana and really enjoyed it. Very well done by everyone. We could not stay after the performance as we had visitors coming for dinner and needed to rush back home. Good luck with the 50th anniversary Proms Concert.
– From Terry and Keren Smith
A Melbourne music critic who critiqued the concerts of the professional concerts, once wrote of a performance given by the Frankston Orchestra that “they are amateur in name only”. He certainly would have said the same after the performance at the Frankston Arts Centre on Sunday, 3rd June, which featured the great work of Carl Orff, ‘Carmina Burana”
The opening orchestral works were the Karelia Suite by Sibelius, Romanian Rhapsody Number 1 by Enescu and Shepherd’s Hey by Percy Grainger, a most pleasing program of works ably conducted by Thaddeus Huang.
After interval, the much anticipated,’Carmina Burana’ was performed. I have never seen the stage so full, with the augmented Frankston Orchestra, and behind them the large Mornington Peninsula Chorale (conductor Tom Buchanan) and the Australian Youth Choir (conductor Hrisanthi Tomaceveski). The three soloists Emily Burke, soprano, Raphael Wong, baritone, and Robert Barbaro, tenor, appeared a little later on stage. Looking at the sheer logistics of performing this work, one can see why it is not performed often. We all felt very privileged, not only of hearing this work at the Frankston Arts Centre, but also of hearing such a professional account of this monumental work.
This concert, honouring the memory of the founder, Vera Bradford, one of Australia’s finest pianists, lived up to her philosophy of always challenging the orchestra by giving them demanding works. She also gave opportunity for brilliant young Australian singers and instrumentalists to perform with an orchestra. I can remember when a young Geoffrey Tozer in 1978 played Chopin’s Concerto in E minor with the conductor Yoshinao Osawa. There were many others who got a good start in their musical careers by having the experience of playing and singing with the Frankston Orchestra.
The soloists in Carmina Burana, although young, were highly professional singers with extensive experience in the opera houses of Europe.
The combination of orchestra, choirs and soloists made this a thrilling performance where the capacity audience showed their appreciation at the conclusion by giving a standing ovation.
– From Ivor Morgan.
Photos from the Carmina Burana Concert